It had been raining for days. To Spandrell it seemed as though the fungi and the mildew were sprouting even in his soul. He lay in bed, or sat in his dismal room, or leaned against the counter in a public-house, feeling the slimy growth within him, watching it with his inward eyes.
'But if only you'd do something,' his mother had so often implored. 'Anything.'
And all his friends had said the same thing, had gone on saying it for years.
But he was damned if he'd do anything. Work, the gospel of work, the sanctity of work, laborare est orare — all that tripe and nonsense. 'Work!' he once broke out contemptuously against the reasonable expostulations of Philip Quarles, 'work's no more respectable than alcohol, and it serves exactly the same purpose: it just distracts the mind, makes a man forget himself. Work's simply a drug, that's all. It's humiliating that men shouldn't be able to live without drugs, soberly; it's humiliating that they shouldn't have the courage to see the world and themselves as they really are. They must intoxicate themselves with work. It's stupid. The gospel of work's just a gospel of stupidity and funk. Work may be prayer; but it's also hiding one's head in the sand, it's also making such a din and a dust that a man can't hear himself speak or see his own hand before his face. It's hiding yourself from yourself. No wonder the Samuel Smileses and the big business men are such enthusiasts for work. Work gives them the comforting illusion of existing, even of being important. If they stopped working, they'd realize that they simply weren't there at all, most of them. Just holes in the air, that's all. Holes with perhaps a rather nasty smell in them. Most Smilesian souls must smell rather nasty, I should think. No wonder they daren't stop working. They might find out what they really are, or rather aren't. It's a risk they haven't the courage to take.'
..... Novel of ideas. The character of each personage must be implied, as far as possible, in the ideas of which he is the mouthpiece. In so far as theories are rationalisations of sentiments, instincts, dispositions of soul, this is feasible. The chief defect of the novel of ideas is that you must write about people who have ideas to express — which excludes all but about .01 per cent of the human race. Hence the real, the congenital novelists don't write such books. But then I never pretended to be a congenital novelist.
The great defect of the novel of ideas is that it's a made-up affair. Necessarily; for people who can reel off neatly formulated notions aren't quite real; they're slightly monstrous......
.....'And the only thing the reformers can find to talk about is the shape, colour, and steering arrangements of the vehicle. Can't the imbeciles see that it's the direction that matters, that we're entirely on the wrong road and ought to go back — preferably on foot, without the stinking machine?'
'You may be right,' said Philip. 'But the trouble is that, given our existing world, you can't go back, you can't scrap the machine. That is, you can't do it unless you're prepared to kill off about half the human race. Industrialism made possible the doubling the of the world's population in a hundred years. If you want to get rid of industrialism, you've got to get back to where you started. That's to say, you've got to slaughter half the existing number of men and women. Which might, sub specie aeternitatis or merely historiae, be an excellent thing. But hardly a matter of practical politics.'
'Not at the moment,' Rampion agreed. 'But the next war and the next revolution will make it only too practical.'
'Possibly. But one shouldn't count on wars and revolutions. Because, if you count on them happening, they certainly will happen.'
'They'll happen,' said Rampion, 'whether you count on them or not. Industrial progress means over-production, means the need for getting new markets, means international rivalry, means war. And mechanical progress means more specialisation and standardization of work, means more ready-made and unindividual amusements, means diminution of initiative and creativeness, means more intellectualism and the progressive atrophy of all the vital and fundamental things in human nature, means increased boredom and restlessness, means finally a kind of individual madness that can only result in social revolution. Count on them or not, wars and revolutions are inevitable, if things are allowed to go on as they are at present.'
'So the problem will solve itself,' said Philip.'
Only by destroying itself. When humanity's destroyed, obviously there'll be no more problem. But it seems a poor sort of solution. I believe there may be another, even within the framework of the present system. A temporary one while the system's being modified in the direction of a permanent solution. The root of the evil's in the individual psychology; so it's there, in the individual psychology, that you'd have to begin. The first step would be to make people live dualistically, in two compartments. In one compartment as industrialized workers, in the other as human beings. As idiots and machines for eight hours out of every twenty-four and real human beings for the rest.'
'Don't they do that already?'
'Of course they don't. They live as idiots and machines all the time, at work and in their leisure. Like idiots and machines, but imagining they're living like civilised humans, even like gods. The first thing to do is make them admit that they are idiots and machines during working hours. "Our civilisation being what it is," this is what you'll have to say to them, "you've got to spend eight hours out of every twenty-four as a mixture between an imbecile and a sewing machine. It's very disagreeable, I know. It's humiliating and disgusting. But there you are. You've got to do it; otherwise the whole fabric of our world will fall to bits and we'll all starve. Do the job, then, idiotically and mechanically; and spend your leisure hours in being a real complete man or woman, as the case may be. Don't mix the two lives together; keep the bulkheads watertight between them. The genuine human life in your leisure hours is the real thing. The other's just a dirty job that's got to be done. And never forget that it is dirty and, except in so far as it keeps you fed and society intact, utterly unimportant, utterly irrelevant to the real human life. Don't be deceived by the canting rogues who talk of the sanctity of labour and the Christian Service, that business men do their fellows. It's all lies. Your work's just a nasty, dirty job, made unfortunately necessary by the folly of your ancestors. They piled up a mountain of garbage and you've got to go on digging it away, for fear it might stink you to death, dig for dear life, while cursing the memory of the maniacs who made all the dirty work for you to do. But don't try to cheer yourself up by pretending the nasty mechanical job is a noble one. It isn't; and the only result of saying and believing that it is, will be to lower your humanity to the level of the dirty work. ..... Admit it's dirty, hold your nose and do it for eight hours and then concentrate on being a real human being in your leisure. A real complete human being. Not a newspaper reader, not a jazzer, not a radio fan. The industrialists who purvey standardized ready-made amusements to the masses are doing their best to make you as much of a mechanical imbecile in your leisure as in your hours of work. But don't let them. Make the effort of being human." That's what you've got to say to people; that's the lesson you've got to teach the young. You've got to persuade everybody that all this grand industrial civilization is just a bad smell and that the real, significant life can only be lived apart from it. It'll be a very long time before decent living and industrial smell can be reconciled. Perhaps, indeed, they're irreconcilable.'